

So does Thrice Woven hold up to the band's impeccable track record in their home genre? So now, three years later, after a re-release of Diadem of 12 Stars, the band has returned with Thrice Woven, an album they say marks their return to black metal. Wolves in the Throne Room took a bit of a detour for their last album 2014's Celestite was an ambient, synth-heavy companion to Celestial Lineage, and while it wasn't bad, it was certainly a departure from the band's trademark sound. In the ensuing decade, "atmospheric black metal" has become the genre du jour, but for the most part, these bands have been chasing WitTR's tail, trying to capture the alchemy that makes Diadem, Two Hunters, Black Cascade, Celestial Lineage, and the Malevolent Grain EP stand out in a sea of imitators and lesser bands. Their songs, drawing inspiration from the band's home in the Pacific Northwest, have always blended a serene sense of melody and atmosphere with a primal, animalistic fury. Since their phenomenal debut Diadem of 12 Stars in 2006, Wolves in the Throne Room have been a force in the US black metal scene. Denver's experimental foursome now returns with A Wake in Sacred Waves, an album that dials in their craft, takes their sound to new monumental heights, and, ultimately, will be the album that establishes them as a progressive metal force. Making my year-end list for 2015, the album harnessed the power of soft female vocals, black metal shrieks, blast beat drumming, pianos, saxophones, and everything that could be thought of being in that vast in-between.
#SUB ROSA MOVIE VOMIT SERIES#
Now, the whole concept of progressive music as a philosophy versus a rigidly defined musical genre is a rabbit-hole of a conversation that would best be served as the central focus of its own series of articles, but it's these kinds of thoughts that traversed through my mind as I listened to Dreadnought's second album, Bridging Realms. By incorporating unfamiliar elements or creating a new combination of pre-existing ones, this expanding of horizons is the bedrock of what it means to be progressive as a band.


While it's now commonly assumed to be a genre where technically proficient musicians play concept-albums while encompassing sporadic tempo shifts, progressive music can be better thought of as more of a pushing of boundaries. Of all genres of music, especially metal, "progressive" is a genre tag that, over time, has constantly expanded its grey area for interpretation.
